in-depth and experimental coverage of the bay area’s arts and cultural scenes
By Nicole Gluckstern, with Avi Ehrlich
Substrate Arts co-founder Nicole Gluckstern spoke with the instigator of Silver Sprocket, Avi Ehrlich, about the balance between community benefit and commercial enterprise, and how the comic book industry can learn from the indie music scene.
By Julius Rea, with ShawnJ West & Charles Lewis III
How do we give criticism and stay supportive of our arts community?
A Substrate Arts co-founder sits down with a local arts writer and theatre-maker to discuss theatre criticism in the Bay Area.
By Julius Rea, with H.P. Mendoza
The poetic prince of SF independent film paints the picture of his illuminating career trajectory.
Substrate Arts co-founder Julius Rea spoke onstage with San Francisco-based filmmaker H.P. Mendoza as he tours his newest film, “The Secret Art of Human Flight.”
By David John Chávez, with Alan Quismorio
A longtime pillar of Bay Area theatre looks in the past and hopes for the future.
The Chikahan Company co-founder Alan Quismorio sits down with David John Chávez to unpack the state of theatre-making and the power of Filipino narratives.
By David John Chávez, with Sean San José
As part of Substrate Arts’ Launch Party held at Magic Theatre in June 2023, Substrate Arts co-founder David John Chávez spoke with Sean San José, artistic director of Magic Theatre and co-founder of Campo Santo.
By Hiya Swanhuyser
“Sonoma County children both growing and grown share memories of the Running Fence…They don’t notice it lining the community center ceiling to baffle sound. They sell the livestock they’ve raised in front of it. If they do notice it, they wonder why it’s so huge, and what it’s made of, and why it’s so oddly unlikely to catch fire, although if you really try you can set it on fire a little.”
By David John Chávez
“The burgeoning Chicano culture, lowrider cars and bikes, Lowrider Magazine, which published for the first time in 1977 and a firm commitment to a whole new fashion for brown kids everywhere made for the perfect time for the 18-year-old Amaya to move his fledgling audience in a whole new direction.”
By Benjamin Wachs
“Something unique about San Francisco,” they said slowly, “is its interest in tracing community based thinking and networking as part of its artistic process. Community efforts and outreach are almost always included in art experiences. No matter what the project, there’s usually some attempt to bring people together in some ways.”